| Year: | 2013 | | Genre: | Crime, Drama, Thriller | | Stars: | Michael Fassbender, Penélope Cruz, Cameron Diaz | | Director: | Ridley Scott |
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Review: With a star studded cast, featuring the likes of Michael Fassbender, Penelope Cruz, Cameron Diaz, Javier Bardem and Brad Pitt, and directed by Ridley Scott, with a script from one of the greatest novels in American life, Cormac McCarthy, obviously I go to see counselors at face value only. Admittedly, aside from the fact that this is not a very cinematic effort, the first half of the movie is pretty bad. That is half of the first act is too vague for its own good, with dialogue that is in love with their own double entenders him and lines sound as if they would be more at home of a novel than a loud voice by human beings. But if you live patients with this film until the ninth second, you will be rewarded with Scott McCarthy and see how they tie a story about this action-less together, viewers also softly guiding in a brilliant final disturbing and hypnotic. Presentations (a standout from Bardem) all good here. These are all great actors, so what more do you want? The same thing applies to the direction. Mask and advocates still McCarthys transition from novel feature senarizasyon film, which is a transition to a first action on the ground of failure in dialogue only. In the same breath, the story of a lawyer who has his caliber involved in drug trafficking and construction master freeing him almost entirely by the time all is said and done. As I mentioned earlier, there are many actions here, which can give the illusion of some sequence that is happening but nothing is running, which can also promote screening watches. But in this movie based on conversation, as much as I love the dialogue was conducted with more subtlety, subtext is always interesting, gaining momentum from stories converge in the second half. Final Thoughts: This is the movie equivalent of Advisors artichokes. If you like it or you do not. After that, both are easy to understand. Maybe one day, once the heat died down criticism, history will look more kindly on this film. But for now, there will be flaws in it that the majority of the mainstream audience will know just can forgive. Written by Markus Robinson, edited by Nicole I. Ashland
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